Feature-length finally means there is time for the good part: a slow pan up the leg, a foot rub allowed to breathe for a full minute, a build-up nobody rushes. 148 films with plots, budgets and directors who spend both on close-ups. Popcorn is very strongly advised.
Luke Butterbean rips open an envelope and almost chokes on his morning coffee. Sunny Goldmelons has written him off for good, signed the damn thing like it’s a bar tab. Hell if he’ll let her slip away. He packs a bag, hops on the first thing smoking, and heads west to wrestle his woman back. He’s certain she’s the jackpot, but that doesn’t stop Marlene Thornbush from riding hard on Sunny’s tail—and Marlene always collects her debts.
Luke Butterbean rips open an envelope and almost chokes on his morning coffee. Sunny Goldmelons has written him off for good, signed the damn thing like it’s a bar tab. Hell if he’ll let her slip away. He packs a bag, hops on the first thing smoking, and heads west to wrestle his woman back. He’s certain she’s the jackpot, but that doesn’t stop Marlene Thornbush from riding hard on Sunny’s tail—and Marlene always collects her debts.
